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Michael Ancher Portrait of Anna Ancher Standing in a Yellow Dress by her husband Michael Ancher oil painting


Portrait of Anna Ancher Standing in a Yellow Dress by her husband Michael Ancher
Painting ID::  70372
Michael Ancher
Portrait of Anna Ancher Standing in a Yellow Dress by her husband Michael Ancher
Portrait of Anna Ancher Standing in a Yellow Dress by her husband Michael Ancher

   
   
     

Michael Ancher The Sick Girl oil painting


The Sick Girl
Painting ID::  71969
Michael Ancher
The Sick Girl
1882(1882) Oil on canvas 80 X 85 cm (31.5 X 33.46 in)

   
   
     

Michael Ancher Sick Girl oil painting


Sick Girl
Painting ID::  73384
Michael Ancher
Sick Girl
Date 1882(1882) Medium Oil on canvas Dimensions 80 X 85 cm (31.5 X 33.46 in) cyf

   
   
     

Michael Ancher Juledag 1900 oil painting


Juledag 1900
Painting ID::  81642
Michael Ancher
Juledag 1900
Date 1903(1903) Medium Oil on canvas Dimensions 142 x 221 cm cjr

   
   
     

Michael Ancher Art Judges oil painting


Art Judges
Painting ID::  82161
Michael Ancher
Art Judges
Date 1906(1906) Medium Oil on canvas cjr

   
   
     

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     Michael Ancher
     Danish Painter, 1849-1927 He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),

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